The Tree of Life

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  • RobinFinderson
    Banned
    • Nov 2008
    • 10548

    #46
    I picked this movie up on Blu-Ray for my birthday, and have watched it again, and will watch at least one more time before I write my take on it. The film came out in Los Angeles shortly after my mother had come to visit, and right before her cancer would begin to rapidly bloom within her, and then take her life less than two months later. My viewing of the film at that time was entirely tinted by our family's impending loss, and I am not kidding when I say that the film, with it's Mormon-ish cosmological take on the creation and family, on death and the meaning of life, felt as if it had been released for me alone, to help me through that time. It is really that deeply personal take on the film that has prevented me from writing about it any sooner.

    Jennerstein, just quickly, Jack is the oldest, and the one who is later played by Sean Penn. The youngest boy, the one who plays the guitar, is the one who dies at age 19. I was able to pause the Blu-Ray during the scene when his Mother receives the telegram reporting the news of his death. The boy died in a car accident in Mexico City in what appears to be the year 1968. Jack, too, seems to die, which is what I think happens when he crosses the threshold in the desert, and is reunited with other souls. I haven't read this take any other place, but I think that the view of the bridge, right at the end of the movie, foreshadows Jack's suicide (which partly explains his look of resolution as he leaves his office and makes his way to the bridge, and the conscious decision he seems to make in the desert when he crosses through the door).

    The real question that I have is this -- what are we to make of the middle brother? I'm not entirely decided, but I am currently working from the theory that the third brother is OUR proxy, a witness to the creation. Jack is a type of Cain, the youngest is a kind of Abel, the parents are Adam and Eve, their neighborhood the garden of eden, and we are all of the other descendants, left to consider those archetypes. This is my uncommitted take after two viewings, though I will have to see it again to see if this interpretation stands up to closer scrutiny.

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    • woot
      Resident Science Cop
      • Nov 2008
      • 5531

      #47
      Originally posted by RobinFinderson View Post
      I picked this movie up on Blu-Ray for my birthday, and have watched it again, and will watch at least one more time before I write my take on it. The film came out in Los Angeles shortly after my mother had come to visit, and right before her cancer would begin to rapidly bloom within her, and then take her life less than two months later. My viewing of the film at that time was entirely tinted by our family's impending loss, and I am not kidding when I say that the film, with it's Mormon-ish cosmological take on the creation and family, on death and the meaning of life, felt as if it had been released for me alone, to help me through that time. It is really that deeply personal take on the film that has prevented me from writing about it any sooner.

      Jennerstein, just quickly, Jack is the oldest, and the one who is later played by Sean Penn. The youngest boy, the one who plays the guitar, is the one who dies at age 19. I was able to pause the Blu-Ray during the scene when his Mother receives the telegram reporting the news of his death. The boy died in a car accident in Mexico City in what appears to be the year 1968. Jack, too, seems to die, which is what I think happens when he crosses the threshold in the desert, and is reunited with other souls. I haven't read this take any other place, but I think that the view of the bridge, right at the end of the movie, foreshadows Jack's suicide (which partly explains his look of resolution as he leaves his office and makes his way to the bridge, and the conscious decision he seems to make in the desert when he crosses through the door).

      The real question that I have is this -- what are we to make of the middle brother? I'm not entirely decided, but I am currently working from the theory that the third brother is OUR proxy, a witness to the creation. Jack is a type of Cain, the youngest is a kind of Abel, the parents are Adam and Eve, their neighborhood the garden of eden, and we are all of the other descendants, left to consider those archetypes. This is my uncommitted take after two viewings, though I will have to see it again to see if this interpretation stands up to closer scrutiny.
      Interesting points. I'm not sure I have it in me to watch it again, but I'd like to after reading this post. Regarding the middle brother, it might be that there are three brothers only because the director himself had two brothers, one of which (probably the youngest, but I forget) died.

      Comment

      • RobinFinderson
        Banned
        • Nov 2008
        • 10548

        #48
        Originally posted by woot View Post
        Interesting points. I'm not sure I have it in me to watch it again, but I'd like to after reading this post. Regarding the middle brother, it might be that there are three brothers only because the director himself had two brothers, one of which (probably the youngest, but I forget) died.
        Other note, after reading through a few other analyses of the film, Jack is the oldest, R.L. is the middle son (the one who dies at age 19), and Steve is the youngest, who really never says anything in the movie. You might be right about the autobiographical aspect of the brothers, but I also think that Mallick intends for there to be symbolic meaning in that third brother. During the father's outburst, Jack is locked into a closet, R.L. chased down by the father, and 'Steve' is seen clinging to the mother. Does he also appear in the afterlife? I don't recall. I watched it late at night, and got dozy during a few parts, so I really need to watch it again earlier in the day.

        Comment

        • RobinFinderson
          Banned
          • Nov 2008
          • 10548

          #49
          BTW, here is this absolutely stunning analysis of the film. This guy writes the most thoughtful film analysis I have ever found. He is a new favorite.

          Comment

          • BoylenOver
            Junior Member
            • Nov 2008
            • 9146

            #50
            Finally got around to seeing this. Gorgeous and ambitious, but it was hard to stay engaged the entire 2 hours.

            I can definitely see how this would be one better-enjoyed in a theater, as opposed to a living room.
            "I don't know the origin of said bitch booming."-Art Vandelay
            "Hot Lunch posted awhile back on this. He knows more than anyone except for maybe BO."-Seattle Ute

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